(Song of the Sending)
Publication date: October 15th 2014
Genres: Fantasy, Young Adult
They told him his world was destroyed.
And they were the last to escape.
They thought he was safe.
They were wrong.
Jim Wales can communicate with animals, but that’s not why he lives with a traveling carnival. Turns out his family’s been hiding him there since he was little, since someone started hunting all the scholars. Jim is a scholar—someone who can manipulate energy using magic—and he has no idea.
When a message arrives from Jim’s father—who supposedly died twelve years ago—Jim’s whereabouts are discovered, their carnival is attacked, and his mother is kidnapped. On the run with a strange glass map and a single coin, Jim finds himself racing to reclaim the father he thought he’d lost, plotting to save his mother, and discovering the truth about who he is.
But going home isn’t the same as being safe, and trust is everything.
And they were the last to escape.
They thought he was safe.
They were wrong.
Jim Wales can communicate with animals, but that’s not why he lives with a traveling carnival. Turns out his family’s been hiding him there since he was little, since someone started hunting all the scholars. Jim is a scholar—someone who can manipulate energy using magic—and he has no idea.
When a message arrives from Jim’s father—who supposedly died twelve years ago—Jim’s whereabouts are discovered, their carnival is attacked, and his mother is kidnapped. On the run with a strange glass map and a single coin, Jim finds himself racing to reclaim the father he thought he’d lost, plotting to save his mother, and discovering the truth about who he is.
But going home isn’t the same as being safe, and trust is everything.
What readers are saying:
"Told in a beautiful, flowing style full of colorful images and adrenaline-pumping action."
"Pop some popcorn, sit back ... and enjoy the thrill ride, right up to the end, which leaves you begging for more."
"Captures your attention from the start and then guides you through a roller coaster of adventure, drama, mystery, magic and young love."
"Told in a beautiful, flowing style full of colorful images and adrenaline-pumping action."
"Pop some popcorn, sit back ... and enjoy the thrill ride, right up to the end, which leaves you begging for more."
"Captures your attention from the start and then guides you through a roller coaster of adventure, drama, mystery, magic and young love."
Purchase:
Corinne O'Flynn is a native New Yorker who now lives in Colorado and wouldn't trade life in the Rockies for anything. She loves writing flash and experimenting with short fiction. Her novel, THE EXPATRIATES (Oct. 2014) is a YA fantasy adventure with magic and creatures and lots of creepy stuff. She is a scone aficionado, has an entire section of her kitchen devoted to tea, and is always on the lookout for the elusive Peanut Chews candy.
When she isn’t writing or hanging with her family, Corinne works as the executive director of a nonprofit. She is a member of Rocky Mountain Fiction Writers, Mystery Writers of America, and the Society of Children's Book Writers and Illustrators. You can find her online at her website, Facebook, or Twitter @CorinneOFlynn.
When she isn’t writing or hanging with her family, Corinne works as the executive director of a nonprofit. She is a member of Rocky Mountain Fiction Writers, Mystery Writers of America, and the Society of Children's Book Writers and Illustrators. You can find her online at her website, Facebook, or Twitter @CorinneOFlynn.
Author Links
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Excerpt 1 from
The Expatriates, Book One: Song of The Sending by Corinne O’Flynn
“Well, it’s not dead.” Charlie let out a nervous laugh.
“What should we do with it?” Sam asked.
Hollis took off his t-shirt and proceeded to wrap the bird like a burrito. “We need to protect her wings in case she thrashes. She’ll wake soon.”
I looked at Hollis, stunned. “How do you know that?” I asked. And what else did he know?
“This,”—he cradled the wrapped bird in his arms—“is a very important messenger. It’s called a Sending. They don’t do that sort of thing anymore—change an animal like that.” He shook his head as if lost in thought. “It changes them. Their brain. Something big must be going on back home. There’s only one person who could have sent her to you. And if I’m right, then something’s really wrong.”
“What kind of wrong?” Sam asked, his forehead wrinkled with worry.
Everything in me flashed to attention at what Hollis said. “Back home?” I asked. There was no way.
Hollis stared at me, saying nothing.
“Hollis, what do you mean back home?” I repeated. I’d always known we weren’t from here, from the Modern World—the human world. All of us, everyone in Sweetwater’s, were originally from a place called Bellenor, which used to be connected to this world by some magical force—until the bridge collapsed. Or so I’d been told. “You all said Bellenor was destroyed. Back when my mother was a kid. Before I was born.”
“I’m sorry, Jim,” he said. “We had no choice.”
Excerpt 2 from
The Expatriates, Book One: Song of The Sending by Corinne O’Flynn
“Shh!” Charlie stepped toward the midway, her head cocked to listen. “What in the world?”
I followed her gaze across the fairgrounds where the big top towered over the smaller event tents. Festive red, white, and blue flags atop each of them blew in the morning breeze.
“Do you guys hear that?” she asked.
“Hear what?” Hollis said, wiping sweat from his face. He held the swaddled bird against his chest.
The peaked canopy of the big top stood tall over the row of concession stands. The old marquee twinkled faintly in the sunlight, its red and yellow light bulbs spelling out Sweetwater’s Traveling Show. Everything was quiet.
“Charlie?” I knew better than to question her ears.
“What is it?” Sam asked.
“Shhh.” She closed her eyes and cupped her hands around her ears.
“I don’t hear anything,” I said. “Actually I don’t hear anything at all.”
Usually, on the day we arrived in a town, the fairgrounds were so noisy you could barely have a conversation without shouting. The roustabouts and canvasmen made a terrible racket erecting the tents and hammering the steel spikes into the ground. Then there was the constant hum of generators and cranes and trucks permeating everything as we all got things ready for the weeklong stay. Not to mention the animals screeching and squawking and the regular people noise. But from where we stood, it was eerily quiet. The whole place felt like a ghost town.
A mushroom of black smoke billowed above the big top in the distance. A rolling boom reached us a moment later.
“Whoa,” Sam whispered.
“Sweet Sisters. They’re here,” Hollis said.
A short interview with Corinne O’Flynn, author of THE EXPATRIATES.
Tell us about your book.
THE EXPATRIATES is the first book in a new YA fantasy series about a teenage boy, Jim Wales, who discovers his family’s been hiding him in a traveling carnival because he’s being hunted for his powers.
What inspired you to write THE EXPATRIATES?
This is such a cliché!! But, the truth is the book was inspired by a dream I had almost 14 years ago. It was a little scene where this dark-haired kid is walking through a meadow of golden grass with a tiger and there’s a falcon hovering in the air over him. He’s communicating with the animals telepathically. The whole thing is still so vivid, all these years later.
What can you tell us about the main character?
The main character in THE EXPATRIATES is a seventeen year old named James Wales. His friends call him Jim. He has the ability to communicate with animals telepathically, which comes in handy living with a traveling carnival! The story opens with him training a tiger to do some new moves for their carnival act. It doesn’t go well, and Jim’s concerned the tiger can understand the insults coming from Jim’s best friend, Sam.
Your cover is fantastic! Who designed it and do you think a good cover is important part of publishing?
My cover was designed by Steven Novak at www.novakillustsration.com. He’s super to work with, and I can’t wait to see what he does with my next cover. I think a good cover is absolutely vital to capturing a reader’s attention. I learned something important while working on the cover, and that is to focus on the concept and the theme you want to portray, and not get stuck trying to be too literal in showing an actual scene from the story. Keeping that in mind really helped me get my head around what we needed to do.
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